The exhibition Callisto marks a new moment in Laura Wenmaekers’ artistic practice, in which the artist explores multiple dimensions of female identity. Her paintings reveal different emotional states and energies, presenting women as complex, versatile presences in a constant state of transformation.

Room with a View, by Sonia Aniceto, presents a new series of works where drawing, painting and free stitching merge on drop paper — a fibrous support that absorbs the tension of the thread and transforms, layer after layer, into an organic, flexible and three-dimensional material. By converting paper into something akin to fabric, the artist expands the field of painting and introduces a subtle sculptural dimension.

The exhibition Feast of Fools, by the artist Gary William Myatt, presents a new body of work that takes as its starting point the medieval European celebrations which, between the 12th and 15th centuries, temporarily suspended social and religious order, inverted hierarchies, and exposed the fragility of authority. More than a historical interest, Myatt appropriates the Feast of Fools as a metaphor for a contemporary reflection on disorder, transformation, and freedom.

Glamour, the exhibition by Daria Dolgareva, proposes an unexpected encounter between the dramatic chiaroscuro of Rembrandt and the visual allure of luxury magazines such as Vogue and Harper’s Bazaar. Conceived in an editorial language, the paintings merge classical atmosphere with contemporary aesthetics,